Summary

After finding the soundtrack of Tararira, the only Argentine surrealist film shot in 1936, lost since then, and starring their great-grand uncles, the Aguilar brothers set out to unravel the family history at the crossroads of the great political events of the 20th century. It is also a story of El Cuarteto Aguilar, a very particular music band, which had an openly lesbian member in the first half of the last century. The discovery of the soundtrack of the lost film leads to a documentary collage that travels through Argentina, Spain and other parts of the world to ask again, one hundred years later, if perhaps the revolution is not also an aesthetic.

No Reviews yet.

Keywords