Jonas Trapp falls in love with the beautiful Jessie, a wealthy girl out of his humble class. Against the wishes of her snobbish aunt, she marries him, later faking a pregnancy to win her aunt's consent. But Jonas tires of living off of his wife's family, and eventually deserts her to become a buffalo hunter. 11 years later, with his self-made fortune, he sets out to return home, only to be set upon by three sadistic marauders, who steal his money and leave him for dead. Rescued by a farmer who nurses him back to health, Jonas becomes consumed by the desire for revenge. As fate would have it, all three men live close to Jonas' former home. Matters quickly get worse when Jonas reunites with his wife, only to discover that she is now engaged to Renne.
Chuck Connors
Jonas Trapp
Michael Rennie
Brooks Durham
Kathryn Hays
Jessie Larkin Trapp
Joan Blondell
Mrs. Lavender
Gloria Grahame
Bonnie Shelley
Bill Bixby
Johnsy Boy Hood
Claude Akins
Elwood Coates
Paul Fix
Hanley
James MacArthur
The Census Taker
Arthur O'Connell
The Narrator
Frank Gorshin
Tod Wisdom
Marissa Mathes
Maria (as Marrisa Mathes)
Jamie Farr
Pete the Blacksmith
Gary Merrill
Dub Stokes
Harry Harvey
Vogan
William Bryant
Bartender
Ruth Warrick
Aunt Gussie
Buddy Baer
Mr. Kratz
Bill Catching
A Drunk
Lovyss Bradley
Townswoman
Jerry Schumacher
Townsman
Wag Blesing
Townsman
Director
Bernard McEveety
Novel
Al Dewlen
Screenplay
Andrew J. Fenady
August 26, 2017
1
Pouring cold water in Coldiron.
I see why some folk like it, the downbeat and harsher edges appealing, if only it wasn't so badly constructed and played! It is to my mind a classic example of the funk American Westerns had got themselves into at this juncture of genre film making.
Michael Rennie and Bill Bixby are badly miscast, Claude Akins overacts to within an inch of his life (a rare poor show from him), while Bernard McEveety's direction shows why he was more at home in TV work. It all looks desperately fake, the interiors of key buildings looking like Wild West themed restaurants, the rest of the exteriors looking like what they are - stages! (most likely built from Chuck Connors' woodenness) Script is weak, which leads to a story that is never once authentic in tone or feeling, scenarios that are meant to be telling are unconvincing and the action is laughably staged.
No hidden or misunderstood gem here, just bad film making that irritates as opposed to entertaining. 1/10
Status:
Released
Original Language:
English
Budget:
$0.00
Revenue:
$0.00